326 Royalty-Free Audio Tracks for "Processed Recording"

Real recording of an ar15 layered minimally with a kick drum for sub-bass region and trigger sound and processed with some plugins like transient designers, multiband compression and clipping. Eq was used for tonal shaping and frequency cutting here and there for a more polished sound. Single shot recording assembled into a burst fire loop. Made in ableton live. Enjoy.

Recording of a small plastic toy ball which, when moved, makes a rain-like sound. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Sound taken on an iphone se two years ago of crickets in the forest during the evening. The sound is not processed but feel free to edit it as you wish. You can also hear birds and other animals in the song.

The sound of a creaky door, recorded with my zoom h5. Processing: noise-removal (reafir), mild compression/coloration (molot vst), and convolution reverb (reverberate core; factory preset: medium plate ts).

Thunderstorm on the evening of 20 march 2017 in ohio. Recorded with tascam dr-05 with level control set to limiter and limit value at 38 which yielded peaks about -12db. Processed in sony vegas and saved with sound markers.

Something i made for a video a while back (using samples from freesounds. Com!). I don't know how to describe it, but i find it kind of mesmerizing. I used a recording of a crowd applauding and cheering and processed the hell out of it.

Broken сd/dvd printer recordered at my office. Here is the sound of internal elements of device and retractable disc slot. Recording until pause is original sound. After pause is the same sound processed with gross beat plugin in fl studio 12.

A short nature recording of a small stream with a tiny waterfall near lexington oklahoma. Made with a zoom f8 coupled to a core sound tetramic mounted in a rycote baby gag. Processed with vvaudio plug ins using reaper.

Recording of my cat purring while laying down. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

I was looking for cicada sounds online and couldn't find one that sounded like the ones here. . . However i got lucky and eventually was able to get a nice, clean recording of one! recorded using a sony ic recorder out my house. Processed in fl studio to remove noise.

My recording "fizzy water" is much better than this version. Please use it, not this one. I made a video recording of a glass of carbonated water in a tall glass, using an ipad. Then i played it back and recorded it using a zoom h2 stereo recorder. So it got processed through the different media. It produces a nice fizzy sound that some people will find useful.

This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

Recording of an aluminium can being dropped and rolling. This sound was meant to be used in an animation as if it was coming from another room so the distant-like processed version is also included. Gear. Focusrite scarlett 2i2 3rd gensennheiser mkh50.

Thunder with water falling on cement, crackling bright sound of water hitting hard floor, spatial environment, ambience. Recorded with the tascam dr-40 built-in microphones in stereo, processed in pro tools 10, bounced to a 48khz 24bit wav file.

Snow melt playing against concrete in an urban alleyway with subtle ambient traffic sound. Denver, co 01/05/15. Recorded at 44. 1 khz with unidentified diaphragm mic into live 9. Sample processed for subtle de-noising in audacity.

Material from a waldorf q processed in live with a waldorf dpole, the uad helios69 eq and neve compressor. Gritty low fi shifting, high frequency lfo on a bpf. Hard digital distortion effects. Highest sample rate and quality of recording for this style of effect.

Recording of my finger snap inside my living room. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A recording of my mini-fridge that i split into two components - the hum (this) and the evaporator thing that makes all the drippy sounds. I separated them so people can change the volume of each element, since i noticed with my fridge that you can only really hear the hum if you're really close, but hear the drippy sounds from quite a distance away, even if they're really quiet. Recorded with a zoom h4n pro, used rx7 to separate the elements. As always, i've got the un-modified loop in my "raw recordings" pack.

Terryfying sounds, like screaming monsters - this was made from a recording of sunny the budgie singing, slowed and reversed and gverb added to make it sinisterrecorded with a tascam dr07 mk2 and processed with audacity.

Ambient sound at a harbor - boats at the dock, waves lapping, sails/flags flapping. Recorded with a sennheiser 416 into a sound devices 702 recorder. Used a bass rolloff to remove rumble. Processed and edited in protools 10. Recorded at burton chace park in marina del rey, ca.

Rooster crowing. Processed with silence at either end, because there was some random ambiance that didn't add to the recording. Not quite the cliche "cock-a-doodle-doo," but it's clean and it works. Taken at an animal sanctuary with a zoom h2 in 120* pattern.

I played this ironfence to a church next to my house at latenight, the wind in the background gives a nice deep dimension to it, wind works almost like a sidechain tuch. Recorded with r-09, processed in logic 8 add. Reverb. East jutland, holme, århus, denmark.

Recording of an electric kettle boiling water in the kitchen counter of my apartment. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Similar to my popular 2016 recording. Many birds are audible, as well as distant dogs. For a filtered loop suitable for videos or games, check out the processed version of this sound, with the background noise greatly reduced. Recorded during the 2019 world series of birding competition in nj. Feel free to use in commercial projects. --------------------------two em172 mic capsules -> zoom h1 recorder.

This recording was taken around 10. 30pm near a village called dewe in uganda. Dewe is a village in uganda about 100 yards from the shores of lake victoria. I was fortunate enough to spend a month staying with a project called the dewe school of art based in the village. I took this recording while i was alone in the project gardens at night. I have not processed or tampered with the sound in any other way than slightly amplifying the original. Surround recording on zoom h2.

20 minutes field recording of eveningsounds in my backyard in belgium, springtime in 2021. At first a few chickens wander close to the microphone, your hear doves and a lot of blackbirds singing to each other. After a few minutes the chickens prepare for the night. At about 14:00 a goose flight is passing by, in the end you hear a distant plane passing and a train. Recording in stereo with a zoom h4n pro and windshield, mildly processed afterwards.

Very seletive recording of a birdsong early in the morning on the begining of april. The city ambience was heavily processed, so when the car appears it sounds quirky. It is left there on purpose, as i guess everyone is going to cut only the part that one needs. Recorded by piotrek zylaequipment: sony pcmd100. If you recognize what bird is it - please leave a comment.

Sounds of wonderful cicadas recorded in bolano (la spezia, italy) in august 2021. You can hear different species of cicadas, sound of wind and sound of the small town in the distance. Recorded with a zoom h1n (96khz /24bit). Recorded in a sunny, calm-windy afternoon. The sound was no post-processed.

A one-take recording of someone trying to do a dutch approximation for a suspenseful audio drama, i tried to clean it up as best i could and final form will be cleaned up/lower volume/panned out to sides. The only microphone i had access to was a sansa zipclip mp3 player. Apparently this is german!.

Gorgeous sound of two vintage british diesel locos pulling a 13 carriage train. Recorded using the built in mics on a cannon powershot g15 then processed to try and remove as much wind noise using izotope ozone in m/s mode, (much of the wind noise was in the side channel).

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 39, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Stepan Pasiuha - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 39, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Stepan Pasiuha - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 37, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ostap Kalnyi - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 37, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ostap Kalnyi - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 59, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Filaret Kolessa - Temna nichka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 59, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Filaret Kolessa - Temna nichka.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 31, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Ivan Kucherenko - Pro udovu.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 31, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Ivan Kucherenko - Pro udovu.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 1, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Kozachok Polianka.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 1, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Kozachok Polianka.flac.

Pobblebonk frog named for the sound of its call or the eastern banjo frog. An australian frog with a distinctive call. Note i've used selective eq to remove the cicada calls. An accompanying file has the cicada calls unedited. Recorded with rode ntg5 - > zoom h4n pro -> processed in adobe audition, equalisation, hi-pass, eq.

Recording of a button sound from a vintage teac hi-fi stereo amplifier. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a plastic grid which resembles plastic sounding gears. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Hello my lovely comrades. These are some bits and pieces i salvaged from a few hours of practicing/f***n’around on my bass one lovely fall morning. Recorded by leaning an iphone 6 up against the front of an amp, and then processed in adobe audition. Have a blessed day. Gec gecgec gecgec gec.

Swiss forest, sunny winter morning, on a small mountain. The cracks and other falls are due to the snow that melt in the sun and fell from the top of the trees. It was beautiful. Recorded in stereo with h5n, and processed a little bit to reduce the wind.

*processed version with fx* loopable. Crowd reunited in front of parliament chants in protest against the government. In 2011 during a major economic crisis in portugal. Drums rhythm and big crowd singing and clapping along. Recorded with fostex fr2 and a sanken cmd-10 stereo microphone, october 15th, 2011. .

A recording of a backroom with the extractor fans running, the audio is low in pitch and can be used in instances like machinery rooms, all of my sounds come uncompressed or processed. This means there may be unwanted background noise/ sound that you can remove or not at your will. Equipment used:. Tascam dr40 w/ built in stereo microphone. File information:48,000hz24bit wavstereo.

A recording of a backroom with the extractor fans running, the audio is high in pitch/frequency and can be used in instances like machinery rooms, all of my sounds come uncompressed or processed. This means there may be unwanted background noise/ sound that you can remove or not at your will. Equipment used:. Tascam dr40 w/ built in stereo microphone. File information:48,000hz24bit wavstereo.

Recording of me playing video games on my xbox controller. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

This sound was recorded in april 2021 in a beach of monterosso, beatiful place very well know, (it is one of the "5 terre"). You will hear the unmistakable sound of the beach, when the waves comes and goes. It recorded with a zoom h1n (96khz /24bit). Recorded in a sunny morning. The sound was no post-processed.

Sounds of nature recorded in bolano (la spezia, italy). You will hear beautiful sounds of birds and insect; in the distance you can hear the sounds of the life town. It was recorded with a zoom h1n (96khz /24bit). Recorded in a sunny, calm-windy afternoon in april. The sound was no post-processed.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 34, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Platon Kravchenko - Pro pikhotyntsia var a.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 34, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Platon Kravchenko - Pro pikhotyntsia var a.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 13, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Yavdokha Pylypenko - Pro udovu 2.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 13, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Yavdokha Pylypenko - Pro udovu 2.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 3, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Mykhailo Kravchenko - Pro pikhotyntsia 3.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 3, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Mykhailo Kravchenko - Pro pikhotyntsia 3.flac.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 51, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please see files listed in the "Other versions" field below. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 51, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка, перейдіть до файлів, зазначених у полі «Інші версіїї» нижче.